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Reviewed by Grant Leishman for Readers' Favorite
Nostalgia: Stars of Yesteryear by Jack L Hawn is a retrospective of some of the many interviews of entertainers, actors, sports stars, and media personalities conducted by the author in a career of covering sports and entertainment at the Los Angeles Times. Many of the interviewees were household names in the first three-quarters of the twentieth century and had, for many people, disappeared from view over the years. What the author discovered is that for most of these aging superstars, their craft, talent, and passion for their field were still very much in their blood and they were frequently still performing into their 60s, 70s, and even 80s, albeit for more intimate audiences and at smaller venues than they would have in their heydays. From Big Band leaders such as Les Brown to famous football heroes such as Joe Namath; from famous multi-award-winning singers such as the Andrews Sisters to television celebrities such as Dinah Shore, and many, many more, Jack Hawn has interviewed them all and captured some of the dynamism and passion of their youth, still displayed in their now golden years. He concludes with a history of his eternal desire to write for television and the difficulties, rejections, and limited results of his efforts.
Nostalgia is a wonderful story of those entertainers who many of us only heard of through our parents’ nostalgic reminiscing. Author Jack L Hawn has had an amazing career that many of us would have envied, given his opportunity to sit down and chat with many of these most influential entertainers (in the broadest sense of the word). To have sat down in the same room as the great Muhammad Ali and the unfancied young upstart to his crown Leon Spinks would be every boxing enthusiast’s dream. What I particularly enjoyed about most of these stories was that they were with celebrities who had known great fame, great wealth, and indeed great power in their heyday but, almost without exception, their humility as well as their love of performing shone through every interview. It was fascinating how so many of the female performers were on the comeback after having sacrificed their former stellar careers for their families. Now, many of them facing an empty nest realized that their passion and desire to perform was still as strong as ever and their name still commanded some respect amongst the general public. I also enjoyed the section on the author’s less-than-glittering career as a screenwriter for television. As an author, I know rejection well and can empathize with Jack when, after sending to his agent or a producer what he thought was an incredible script that must be made into an episode, he received the script back with the standard rejection note attached – devastating! For nostalgia buffs of the Big Band era and the early days of film, radio, and television, this book will make an enthralling read. I thoroughly enjoyed and highly recommend it.